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Welcome to the tour! OutKast: The OG ATLiens\nwill direct you through a series of Atlanta locations to illuminate the\npivotal career of the legendary hip-hop duo OutKast, highlighting their impact\non Southern hip-hop, enrichment of Atlanta’s culture, and utilization of rap\nmusic to discuss socially relevant issues. OutKast, comprised of André\n3000 and Big Boi, is arguably one of the most\nrenowned artists to come out of Atlanta and has established Southern hip-hop as\nan eminent genre comparable to East and West coast rap. This tour is intended\nfor OutKast novices and experts alike, as no prior knowledge of the group is\nneeded, and will integrate biographical information with lyrical analysis to make\nfor a comprehensive exploration of the rise of hip-hop royalties Dre and Big\nBoi.\n

The tour commences in East\nPoint, GA where Benjamin André and Antwon\nPatton met in high school, and it terminates in Little Five Points at the famous\n30 foot mural commemorating the iconic duo. Throughout the handful of stops, you\nwill watch, or perhaps more appropriately listen, as the hopeful artists\ntranscend their humble origins and truly flourish in the hip-hop industry, culminating\nin their well-deserved recognition at the Grammys in 2004 when they won Album\nof the Year and Best Rap Album for their double album Speakerboxxx / The\nLove Below (“Speakerboxxx /\nThe Love Below”). While their success\nis nothing short of inspiring, the most remarkable part about OutKast is their\nestimable capacity to consistently produce music that not only sounds interesting\nbut tells a powerful story. Throughout the progression of their career, the duo\nuses music to shed light on the pervasive racism that impacts Black communities\nand show an appreciation for Black folk while simultaneously urging their\nlisteners to “Git Up, Git Out” and do something to better themselves in spite\nof unjust circumstances.

\nThe tour features locations critical to the\ndevelopment of OutKast, such as the intersection of Headland and Delowe where\nRico Wade discovered André 3000 and Big Boi – then known as “2 Shades Deep”- in\ntheir most primitive form, and also locates Atlanta-specific lyrics from\nmemorable OutKast songs to initiate dialogues on overarching themes in their\nmusic. While the goal of the tour is to provide an in-depth look at OutKast through\na tour of Atlanta, it is important to note that there are a plethora of\nadditional songs that mention our marvelous home of Atlanta that did not make\nit onto the map. The tour was designed with efficiency and efficacy in mind for\nthe tourists navigating the route, and it is my sincerest hope that you leave\nthis tour with a newfound (or strengthened) appreciation for this versatile and\ninfluential group.

\nSince the traffic in Atlanta is inevitable, I\nhave created a lengthy playlist for your drive here. The\nplaylist features a diverse collection of tunes, ranging from OutKast to their\nprecursors like George Clinton and Sly to more contemporary artists like\nChildish Gambino and Chance the Rapper, among many others. However, as you\napproach each stop, please be sure to listen to the designated OutKast song to\nexperience the full effects of the tour, and make sure to take a well-deserved\npit stop to try Big Boi's classic lunch at Mojo's!\nHappy touring!

Feel free to reach out to me\nvia email at aamcdo2@emory.edu should you have any follow-up questions.

","flat_pages",[480],"icon_color","#D32F2F","id",6,"is_geo",true,"link_address","link_text","map_icon","map_overlay","map_type","hybrid","media",[],"meta_description","Welcome to the tour! OutKast: The OG ATLiens\nwill direct you through a series of Atlanta locations to illuminate the\npivotal career of the legendary hip-hop duo OutKast, highlighting their impact\non Southern hip-hop, enrichment of Atlanta’s culture, and utilization of rap\nmusic to discuss socially relevant issues. OutKast, comprised of André\n3000 and Big Boi, is arguably one of the most\nrenowned artists to come out of Atlanta and has established Southern hip-hop as\nan eminent genre comparable to East and West coast rap. This tour is intended\nfor OutKast novices and experts alike, as no prior knowledge of the group is\nneeded, and will integrate biographical information with lyrical analysis to make\nfor a comprehensive exploration of the rise of hip-hop royalties Dre and Big\nBoi.\nThe tour commences in East\nPoint, GA where Benjamin André and Antwon\nPatton met in high school, and it terminates in Little Five Points at the famous\n30 foot mural commemorating the iconic duo. Throughout the handful of stops, you\nwill watch, or perhaps more appropriately listen, as the hopeful artists\ntranscend their humble origins and truly flourish in the hip-hop industry, culminating\nin their well-deserved recognition at the Grammys in 2004 when they won Album\nof the Year and Best Rap Album for their double album Speakerboxxx / The\nLove Below (“Speakerboxxx /\nThe Love Below”). While their success\nis nothing short of inspiring, the most remarkable part about OutKast is their\nestimable capacity to consistently produce music that not only sounds interesting\nbut tells a powerful story. Throughout the progression of their career, the duo\nuses music to shed light on the pervasive racism that impacts Black communities\nand show an appreciation for Black folk while simultaneously urging their\nlisteners to “Git Up, Git Out” and do something to better themselves in spite\nof unjust circumstances. \nThe tour features locations critical to the\ndevelopment of OutKast, such as the intersection of Headland and Delowe where\nRico Wade discovered André 3000 and Big Boi – then known as “2 Shades Deep”- in\ntheir most primitive form, and also locates Atlanta-specific lyrics from\nmemorable OutKast songs to initiate dialogues on overarching themes in their\nmusic. While the goal of the tour is to provide an in-depth look at OutKast through\na tour of Atlanta, it is important to note that there are a plethora of\nadditional songs that mention our marvelous home of Atlanta that did not make\nit onto the map. The tour was designed with efficiency and efficacy in mind for\nthe tourists navigating the route, and it is my sincerest hope that you leave\nthis tour with a newfound (or strengthened) appreciation for this versatile and\ninfluential group. \nSince the traffic in Atlanta is inevitable, I\nhave created a lengthy playlist for your drive here. The\nplaylist features a diverse collection of tunes, ranging from OutKast to their\nprecursors like George Clinton and Sly to more contemporary artists like\nChildish Gambino and Chance the Rapper, among many others. However, as you\napproach each stop, please be sure to listen to the designated OutKast song to\nexperience the full effects of the tour, and make sure to take a well-deserved\npit stop to try Big Boi's classic lunch at Mojo's!\nHappy touring! Feel free to reach out to me\nvia email at aamcdo2@emory. edu should you have any follow-up questions.","mode",{"_36":325,"_74":474},"modes",[469,470,471,472],"open_geographies_endpoint","published","published_on","2026-09-10","read_duration","8 minutes reading","restrict_bounds","restrict_bounds_to_overlay","sanitized_description","splash",{"_74":454,"_141":455,"_143":456},"slug","slugs",[16],"stop_count",9,"stops",[85,86,87,88,89,90,91,92,93],"tenant_title","Atlanta Music Maps","title","OutKast: The OG ATLiens ","travel_duration","About 2 hours walking","theme",{"_36":23,"_74":84},"type","voice_overs",[],"use_directions","default",{"_94":445,"_95":23,"_96":-5,"_98":129,"_100":446,"_102":-5,"_30":447,"_104":-5,"_105":-5,"_34":35,"_36":129,"_107":448,"_109":449,"_42":-5,"_46":450,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":447,"_65":443,"_66":451,"_63":452,"_74":444,"_80":120,"_121":-5,"_122":-5,"_81":453},{"_94":405,"_95":149,"_96":406,"_98":402,"_100":407,"_102":-5,"_30":408,"_104":-5,"_105":-5,"_34":35,"_36":402,"_107":409,"_109":410,"_42":-5,"_46":411,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":412,"_65":403,"_66":413,"_63":414,"_74":404,"_80":120,"_121":-5,"_122":-5,"_81":415},{"_94":366,"_95":216,"_96":367,"_98":363,"_100":368,"_102":-5,"_30":369,"_104":-5,"_105":370,"_34":35,"_36":363,"_107":371,"_109":372,"_42":-5,"_46":373,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":374,"_65":364,"_66":375,"_63":376,"_74":365,"_80":120,"_121":-5,"_122":-5,"_81":377},{"_94":324,"_95":325,"_96":326,"_98":321,"_100":327,"_102":-5,"_30":328,"_104":-5,"_105":-5,"_34":35,"_36":321,"_107":329,"_109":330,"_42":-5,"_46":331,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":332,"_65":322,"_66":333,"_63":334,"_74":323,"_80":120,"_121":-5,"_122":-5,"_81":335},{"_94":281,"_95":187,"_96":282,"_98":278,"_100":283,"_102":-5,"_30":284,"_104":-5,"_105":-5,"_34":35,"_36":278,"_107":285,"_109":286,"_42":-5,"_46":287,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":288,"_65":279,"_66":289,"_63":290,"_74":280,"_80":120,"_121":-5,"_122":-5,"_81":291},{"_94":240,"_95":37,"_96":241,"_98":237,"_100":242,"_102":-5,"_30":243,"_104":-5,"_105":-5,"_34":35,"_36":237,"_107":244,"_109":245,"_42":-5,"_46":246,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":247,"_65":238,"_66":248,"_63":249,"_74":239,"_80":120,"_121":-5,"_122":-5,"_81":250},{"_94":197,"_95":198,"_96":199,"_98":194,"_100":200,"_102":-5,"_30":201,"_104":-5,"_105":-5,"_34":35,"_36":194,"_107":202,"_109":203,"_42":-5,"_46":204,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":205,"_65":195,"_66":206,"_63":207,"_74":196,"_80":120,"_121":-5,"_122":-5,"_81":208},{"_94":128,"_95":129,"_96":130,"_98":125,"_100":131,"_102":-5,"_30":132,"_104":-5,"_105":-5,"_34":35,"_36":125,"_107":133,"_109":134,"_42":-5,"_46":135,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":136,"_65":126,"_66":137,"_63":138,"_74":127,"_80":120,"_121":-5,"_122":-5,"_81":139},{"_94":-5,"_95":69,"_96":97,"_98":99,"_100":101,"_102":-5,"_30":103,"_104":-5,"_105":106,"_34":35,"_36":99,"_107":108,"_109":110,"_42":-5,"_46":111,"_48":112,"_113":25,"_114":-5,"_115":-5,"_55":39,"_62":116,"_65":117,"_66":118,"_63":-5,"_74":119,"_80":120,"_121":-5,"_122":-5,"_81":123},"next","position","previous",{"_36":125,"_65":126,"_74":127},"relation_id",103,"address","447 Moreland Ave NE","article_link","

It\nwould be remiss to design an OutKast tour without considering the profound impact\nthe pair has had on their native city of Atlanta. True ATLiens themselves, André 3000 and Big Boi are arguably\nsome of the most well-known talents to come out of this wonderful city. The\nfinal stop takes you to Little Five Points, the sight of a “hyper-realistic\nblack and white” mural of the legendary duo OutKast (Estep). The mural immortalizes\ntwo members of hip-hop royalty and stands tall in Atlanta to remind its citizenry\nof two critical people that have shaped hip-hop and Atlanta culture alike. According\nto on onlooker, “For [him], it meant everything. To explain to somebody what\nhome was. It was the embodiment of what home was” (Estep). In the midst of the\nEast Coast vs. West Coast rap saga, OutKast put the South on the map and showed\nthe country that southern hip-hop deserved a seat at the table, all the while creating\na platform for Atlantans and making music that resonated with people across the\nnation. So, as the tour comes to an end, stand in the gaze of André 3000 and\nBig Boi and reflect on their incredible triumph.

*Note: Due to copyright issues, a photograph of the mural cannot be included on this domain. Visit this article to see the mural!

","direction_intro","direction_notes","Note: The mural is located at the intersection of Euclid and Moreland Avenue. ","lat",33.7665454,"lng",-84.3487619,[],"","orphaned","parking_lat","parking_lng","It\nwould be remiss to design an OutKast tour without considering the profound impact\nthe pair has had on their native city of Atlanta. True ATLiens themselves, André 3000 and Big Boi are arguably\nsome of the most well-known talents to come out of this wonderful city. The\nfinal stop takes you to Little Five Points, the sight of a “hyper-realistic\nblack and white” mural of the legendary duo OutKast (Estep). The mural immortalizes\ntwo members of hip-hop royalty and stands tall in Atlanta to remind its citizenry\nof two critical people that have shaped hip-hop and Atlanta culture alike. According\nto on onlooker, “For [him], it meant everything. To explain to somebody what\nhome was. It was the embodiment of what home was” (Estep). In the midst of the\nEast Coast vs. West Coast rap saga, OutKast put the South on the map and showed\nthe country that southern hip-hop deserved a seat at the table, all the while creating\na platform for Atlantans and making music that resonated with people across the\nnation. So, as the tour comes to an end, stand in the gaze of André 3000 and\nBig Boi and reflect on their incredible triumph.*Note: Due to copyright issues, a photograph of the mural cannot be included on this domain. Visit this article to see the mural!","atlanta-pays-tribute-to-the-kings",[124,117],"Atlanta Pays Tribute to the Kings ","stop","video_embed","video_poster",[],"untitled",109,"the-dungeon-a-full-circle-ending-for-outkast","The Dungeon, A Full-Circle Ending for OutKast ",{"_36":99,"_65":117,"_74":119},8,{"_36":194,"_65":195,"_74":196},"1899 Lakewood Terrace SE","

“You’d\ndrop me off by the Dungeon / Never came in but I knew that you were wondering”\n– “A Life in the Day of Benjamin André\n(Incomplete),” Speakerboxxx / The Love Below (2003)\n \n

Released in 2003, the\ndouble album Speakerboxxx / The Love Below features solo albums from both\nBig Boi and André 3000. The critically\nacclaimed album won Album of the Year and Best Rap Album at the 46th\nGrammy Awards and is widely respected for Big Boi’s social awareness and\nexecution in Speakerboxxx and André\n3000’s experimental sound in The Love Below (“Speakerboxxx / The Love\nBelow”). This album represents a turning point for the duo. Following\nthe release of their fourth studio album Stankonia, André 3000 wanted a change of pace\nand moved to L.A. to pursue an acting career but quickly returned to music,\ncreating a new sound that integrated pop, jazz, and funk (“Speakerboxxx\n/ The Love Below”). Big Boi\nwas equally excited to work on his own sound, and the resulting double album is\nregarded as “visionary, imaginative listens, providing some of the best music\nof 2003, regardless of genre” (Erlewine). In the prior OutKast albums, we get\nto hear the truly congruous sound of Big Boi and Dre, but this endeavor\npresented them with an opportunity to lean into their own musical idiosyncrasies.\n

\nThis tour stop geolocates a lyric\nfrom “A Life in the Day of Benjamin André (Incomplete),”\nthe closing track for the entire double album, taking you to the (rumored)\nlocation of the Dungeon as told by a Reddit fan (“Where Is the Dungeon?”). The “Dungeon,”\nlocated in the basement of Rico Wade’s mother’s house, was the recording studio\nfor the Organized Noize production team (Godfrey), and while the physical\nlocation of the studio changed over time, the creative spirit of the space\ntranscended the rundown basement. The song, which is the only entirely rapped track\non André 3000’s\npart of the double album, follows the trajectory of his life and emphasizes his\nlife-altering work with Big Boi, and its abrupt ending parallels the incompleteness\nof both Dre’s personal story and OutKast’s. The duo continued to create music, releasing Idlewild in 2006, and has since reunited on stage, maintaining their role as an integral part\nof the Atlanta and hip-hop communities. In a seemingly perfect full-circle ending,\nBig Boi recently bought the Dungeon in 2019 (Clanton). Who knows? Perhaps the nostalgia\nof being in the original recording studio will inspire a new project.

",33.7023132,-84.3812895,[146,147]," “You’d\ndrop me off by the Dungeon / Never came in but I knew that you were wondering”\n– “A Life in the Day of Benjamin André\n(Incomplete),” Speakerboxxx / The Love Below (2003)\n \nReleased in 2003, the\ndouble album Speakerboxxx / The Love Below features solo albums from both\nBig Boi and André 3000. The critically\nacclaimed album won Album of the Year and Best Rap Album at the 46th\nGrammy Awards and is widely respected for Big Boi’s social awareness and\nexecution in Speakerboxxx and André\n3000’s experimental sound in The Love Below (“Speakerboxxx / The Love\nBelow”). This album represents a turning point for the duo. Following\nthe release of their fourth studio album Stankonia, André 3000 wanted a change of pace\nand moved to L. A. to pursue an acting career but quickly returned to music,\ncreating a new sound that integrated pop, jazz, and funk (“Speakerboxxx\n/ The Love Below”). Big Boi\nwas equally excited to work on his own sound, and the resulting double album is\nregarded as “visionary, imaginative listens, providing some of the best music\nof 2003, regardless of genre” (Erlewine). In the prior OutKast albums, we get\nto hear the truly congruous sound of Big Boi and Dre, but this endeavor\npresented them with an opportunity to lean into their own musical idiosyncrasies.\n \nThis tour stop geolocates a lyric\nfrom “A Life in the Day of Benjamin André (Incomplete),”\nthe closing track for the entire double album, taking you to the (rumored)\nlocation of the Dungeon as told by a Reddit fan (“Where Is the Dungeon?”). The “Dungeon,”\nlocated in the basement of Rico Wade’s mother’s house, was the recording studio\nfor the Organized Noize production team (Godfrey), and while the physical\nlocation of the studio changed over time, the creative spirit of the space\ntranscended the rundown basement. The song, which is the only entirely rapped track\non André 3000’s\npart of the double album, follows the trajectory of his life and emphasizes his\nlife-altering work with Big Boi, and its abrupt ending parallels the incompleteness\nof both Dre’s personal story and OutKast’s. The duo continued to create music, releasing Idlewild in 2006, and has since reunited on stage, maintaining their role as an integral part\nof the Atlanta and hip-hop communities. In a seemingly perfect full-circle ending,\nBig Boi recently bought the Dungeon in 2019 (Clanton). Who knows? Perhaps the nostalgia\nof being in the original recording studio will inspire a new project.",[124,145,126],{"_74":140,"_141":142,"_143":144},[],"A Life In The Day of Benjamin Andre (Incomplete)","caption","Provided to YouTube by Arista\n\nA Life In The Day of Benjamin Andre (Incomplete) · OutKast\n\nSpeakerboxxx/The Love Below\n\n℗ 2003 Arista Records LLC\n\nReleased on: 2003-09-23\n\nComposer, Lyricist: Andre 3000\nAssociated Performer: Benjamin Andre\n\nAuto-generated by YouTube.","url","https://api.opentour.site/atlanta-music-maps/v4/public/media/vgafsyndxj5e32y0q8eo6ppbw7qe?variant=desktop","the-dungeon",{"_98":180,"_95":23,"_141":142,"_151":181,"_153":182,"_154":183,"_155":184,"_157":185,"_36":186,"_160":187,"_161":162,"_163":184,"_164":188,"_166":189,"_74":140,"_169":183},{"_98":148,"_95":149,"_141":150,"_151":152,"_153":-5,"_154":-5,"_155":156,"_157":158,"_36":159,"_160":-5,"_161":162,"_163":156,"_164":165,"_166":167,"_74":168,"_169":-5},291,2,"The image above shows OutKast at the Grammys after winning 2004 Best Album of the Year. 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In\nOutKast’s “Welcome to Atlanta (Interlude)” from their first album Southernplayalisticadillacmuzik (1994), the duo pays homage\nto the city they call home, celebrating the “Motown of the South” with its blue\nskies and many mediocre sports teams. Yet, the interlude audaciously calls out\nthe city, referencing the Georgia Dome, “Which by the way still flied the Confederate\nbattle flag.” OutKast indeed uses music to comment on pervasive issues like\nsystemic racism that plague the South, referencing its ugly past of slavery,\nsegregation, and the confederacy, which effects evidently linger today. The\nconfederate flag, symbolizing the oppression endured by African-Americans for\nyears on end, has been sported by a plethora of rappers, including André 3000 himself in the “Ms. Jackson” music video, as\nacknowledging it opens up these important dialogues about its implications\n(Williams). Nonetheless, OutKast also dons a certain pride for Atlanta\nand even in calling out its pitfalls finds a way to commemorate the eclectic\ncity.

*Note:\nThis stop features the Georgia Dome, which was demolished in November of 2017\nfollowing the construction of its successor, the Mercedes-Benz Stadium (Martin).\nPlease keep in mind that you are viewing a different sports stadium than that\nmentioned in the interlude as you complete the tour.

",33.7554491,-84.4008512,[213,214],"In\nOutKast’s “Welcome to Atlanta (Interlude)” from their first album Southernplayalisticadillacmuzik (1994), the duo pays homage\nto the city they call home, celebrating the “Motown of the South” with its blue\nskies and many mediocre sports teams. Yet, the interlude audaciously calls out\nthe city, referencing the Georgia Dome, “Which by the way still flied the Confederate\nbattle flag.” OutKast indeed uses music to comment on pervasive issues like\nsystemic racism that plague the South, referencing its ugly past of slavery,\nsegregation, and the confederacy, which effects evidently linger today. The\nconfederate flag, symbolizing the oppression endured by African-Americans for\nyears on end, has been sported by a plethora of rappers, including André 3000 himself in the “Ms. Jackson” music video, as\nacknowledging it opens up these important dialogues about its implications\n(Williams). Nonetheless, OutKast also dons a certain pride for Atlanta\nand even in calling out its pitfalls finds a way to commemorate the eclectic\ncity. \n*Note:\nThis stop features the Georgia Dome, which was demolished in November of 2017\nfollowing the construction of its successor, the Mercedes-Benz Stadium (Martin).\nPlease keep in mind that you are viewing a different sports stadium than that\nmentioned in the interlude as you complete the tour.",[124,212,195],{"_74":209,"_141":210,"_143":211},[],"OutKast - Ms. Jackson (Official HD Video)","\"Ms. Jackson\" by OutKast\nListen to OutKast: https://Outkast.lnk.to/listenYD\n\nSubscribe to the official Outkast YouTube channel: https://Outkast.lnk.to/subscribeYD\n\nWatch more videos by OutKast: https://OutKast.lnk.to/listenID/youtube\n\nFollow Outkast:\nFacebook: https://Outkast.lnk.to/followFI\nInstagram: https://Outkast.lnk.to/followII\nTwitter: https://Outkast.lnk.to/followTI\nWebsite: https://Outkast.lnk.to/followWI\nSpotify: https://Outkast.lnk.to/followSI\nYouTube: https://Outkast.lnk.to/subscribeYD\n\nLyrics: \nI'm sorry, Ms. Jackson, ooh, I am for real\nNever meant to make your daughter cry\nI apologize a trillion times\nI'm sorry, Ms. Jackson, ooh, I am for real\nNever meant to make your daughter cry\nI apologize a trillion times\n\n#OutKast #MsJackson #OfficialVideo","https://api.opentour.site/atlanta-music-maps/v4/public/media/naw9k2st4qiqiqyeg0rp4uvbc1ua?variant=desktop","the-lingering-confederacy",{"_98":227,"_95":149,"_141":210,"_151":181,"_153":228,"_154":229,"_155":230,"_157":231,"_36":232,"_160":187,"_161":162,"_163":230,"_164":188,"_166":189,"_74":209,"_169":229},{"_98":215,"_95":216,"_141":217,"_151":152,"_153":-5,"_154":-5,"_155":218,"_157":219,"_36":220,"_160":-5,"_161":162,"_163":218,"_164":165,"_166":167,"_74":221,"_169":-5},289,3,"The image shows the Georiga Dome pre-demolition. Sourced from: https://cdn.vox-cdn.com/thumbor/XeHW9snvKhfDaHUugjFzyyBXGZs=/63x0:1791x1296/1200x900/filters:focal(63x0:1791x1296):no_upscale()/cdn.vox-cdn.com/uploads/chorus_image/image/62538639/DOME_AERIAL_3.JPG_761815.0.0.0.jpg","16073951789.jpeg",{"_170":222,"_172":223,"_174":224,"_176":225,"_178":226},307,"Georgia Dome","https://api.opentour.site/atlanta-music-maps/v4/public/media/zu9t961n5su07n9gysxtjbpz3tht","https://api.opentour.site/atlanta-music-maps/v4/public/media/zu9t961n5su07n9gysxtjbpz3tht?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/zu9t961n5su07n9gysxtjbpz3tht?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/zu9t961n5su07n9gysxtjbpz3tht?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/zu9t961n5su07n9gysxtjbpz3tht?variant=lqip",17,"//www.youtube.com/embed/MYxAiK6VnXw","MYxAiK6VnXw","MYxAiK6VnXw.jpg",{"_170":233,"_172":234,"_174":235,"_176":211,"_178":236},21,"https://api.opentour.site/atlanta-music-maps/v4/public/media/naw9k2st4qiqiqyeg0rp4uvbc1ua","https://api.opentour.site/atlanta-music-maps/v4/public/media/naw9k2st4qiqiqyeg0rp4uvbc1ua?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/naw9k2st4qiqiqyeg0rp4uvbc1ua?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/naw9k2st4qiqiqyeg0rp4uvbc1ua?variant=lqip",102,"chappell-forest-is-calling","Chappell Forest is Calling ",{"_36":194,"_65":195,"_74":196},{"_36":278,"_65":279,"_74":280},"425 Chappell Rd NW, Atlanta, GA 30318","

“Dope\ncut ****** I hang with before there were apartments /\nIn Chappell Forest,\nit’s getting horrid” – “Call of da Wild,” Southernplayalisticadillacmuzik (1994)\n \n

Echoing the sentiments of Jack\nLondon’s novel The Call of the Wild, OutKast probes what it means what\nit means to be a youth in the ghetto in “Call of da Wild” from their first-ever\nalbum Southernplayalisticadillacmuzik (1994). The track, featuring Atlanta hip-hop group\nGoodie Mob, is audacious in the way it calls out the imperturbable cycles characteristic of ghettos that effectively coerce their youth into perpetrating crime (“OutKast Call of da\nWild”). In this song, OutKast points out the fundamentally flawed infrastructures\nthat perpetuate a life of crime for Black youth in particular, saying there “Ain’t\nno sequel, no saga, no way out,” and specifically cites Chappell Forest, a\ndilapidated apartment complex that, according to the AJC, is “replete with druggies,\nself-proclaimed Jesus freaks, metal thieves, and long-suffering residents”\n(Torpy). On this same album, however, OutKast challenges this cycle in their\nsong “Git Up, Git Out,” urging people to get up and do something for\nthemselves. The hip-hop duo effortlessly integrates raw and pressing themes into\ntheir songs while simultaneously calling on their audience to take action in\ntheir own lives.

",33.767054,-84.430863,[254,255],"“Dope\ncut ****** I hang with before there were apartments /\nIn Chappell Forest,\nit’s getting horrid” – “Call of da Wild,” Southernplayalisticadillacmuzik (1994)\n \nEchoing the sentiments of Jack\nLondon’s novel The Call of the Wild, OutKast probes what it means what\nit means to be a youth in the ghetto in “Call of da Wild” from their first-ever\nalbum Southernplayalisticadillacmuzik (1994). The track, featuring Atlanta hip-hop group\nGoodie Mob, is audacious in the way it calls out the imperturbable cycles characteristic of ghettos that effectively coerce their youth into perpetrating crime (“OutKast Call of da\nWild”). In this song, OutKast points out the fundamentally flawed infrastructures\nthat perpetuate a life of crime for Black youth in particular, saying there “Ain’t\nno sequel, no saga, no way out,” and specifically cites Chappell Forest, a\ndilapidated apartment complex that, according to the AJC, is “replete with druggies,\nself-proclaimed Jesus freaks, metal thieves, and long-suffering residents”\n(Torpy). On this same album, however, OutKast challenges this cycle in their\nsong “Git Up, Git Out,” urging people to get up and do something for\nthemselves. The hip-hop duo effortlessly integrates raw and pressing themes into\ntheir songs while simultaneously calling on their audience to take action in\ntheir own lives.",[124,238],{"_74":251,"_141":252,"_143":253},[],"Call of da Wild","Provided to YouTube by Arista/LaFace Records\n\nCall of da Wild · OutKast · Goodie Mob\n\nSouthernplayalisticadillacmuzik\n\n℗ 1994 Arista Records, LLC\n\nReleased on: 1994-04-26\n\nAssociated Performer: OutKast feat. Goodie Mob\nKeyboards, Programmer, Composer, Lyricist, Mixing Engineer, Producer: Organized Noize\nGuitar: Craig Love\nBackground Vocal: Thomas \"Cee-Lo\" Burton\nRecording Engineer: NHP Sound, Inc.\nRecording Engineer: Sean \"Shy Boy\" Davis\nAssistant Engineer: Mark Hawley\nAssistant Engineer: John \"Bernasky\" Wall\nMixing Engineer: Jonnie \"Most\" Davis\nComposer, Lyricist: Robert T. Barnett\nComposer, Lyricist: André Benjamin\nComposer, Lyricist: Patrick Brown\nComposer, Lyricist: Thomas Burton\nComposer, Lyricist: Willie Knighton\nComposer, Lyricist: Raymon Murray\nComposer, Lyricist: Antwan Patton\nComposer, Lyricist: Rico Wade\n\nAuto-generated by YouTube.","https://api.opentour.site/atlanta-music-maps/v4/public/media/kkk85p2shiwezuz45ydoqj6m4qc9?variant=desktop",{"_98":268,"_95":23,"_141":252,"_151":181,"_153":269,"_154":270,"_155":271,"_157":272,"_36":273,"_160":187,"_161":162,"_163":271,"_164":188,"_166":189,"_74":251,"_169":270},{"_98":256,"_95":149,"_141":257,"_151":258,"_153":-5,"_154":-5,"_155":259,"_157":260,"_36":261,"_160":-5,"_161":162,"_163":259,"_164":165,"_166":167,"_74":262,"_169":-5},296,"The image above shows the album artwork for OutKast's debut album Southernplayalisticadillacmuzik. Sourced from: https://static.stereogum.com/uploads/2014/04/OutKast-Southernplayalisticadillacmuzik.jpg",1499,"16073960338.jpeg",{"_170":263,"_172":264,"_174":265,"_176":266,"_178":267},314,"Southernplayalisticadillacmuzik","https://api.opentour.site/atlanta-music-maps/v4/public/media/3152j9d6ir3e7vjdnt9ycx6qd3it","https://api.opentour.site/atlanta-music-maps/v4/public/media/3152j9d6ir3e7vjdnt9ycx6qd3it?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/3152j9d6ir3e7vjdnt9ycx6qd3it?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/3152j9d6ir3e7vjdnt9ycx6qd3it?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/3152j9d6ir3e7vjdnt9ycx6qd3it?variant=lqip",287,"//www.youtube.com/embed/_Qwadxoz99A","_Qwadxoz99A","_Qwadxoz99A.jpg",{"_170":274,"_172":275,"_174":276,"_176":253,"_178":277},305,"https://api.opentour.site/atlanta-music-maps/v4/public/media/kkk85p2shiwezuz45ydoqj6m4qc9","https://api.opentour.site/atlanta-music-maps/v4/public/media/kkk85p2shiwezuz45ydoqj6m4qc9?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/kkk85p2shiwezuz45ydoqj6m4qc9?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/kkk85p2shiwezuz45ydoqj6m4qc9?variant=lqip",104,"big-boi-s-lunch-recommendation","Big Boi's Lunch Recommendation ",{"_36":237,"_65":238,"_74":239},{"_36":321,"_65":322,"_74":323},"530 Joseph E Lowery Blvd SW","

“Never\neatin’ chicken thighs / Only a 20 piece Mojo’s” – “Wailin,” ATLiens (1996)

\nLunch\nbreak! In their song “Wailin,” from the 1996 album ATLiens, OutKast\nmentions the 20 piece Mojo’s meal, a staple from their days spent in the recording\nstudio. According to Big Boi, “For three f****** years all [they] ate was Mojo’s\nchicken wings – everyday… That’s all [they] could afford at the time” (Joseph).\nTo truly immerse yourself in the tour, pop into Mojo’s to get a taste of the\nfried chicken that sustained OutKast for years. Big Boi also recommends apple\npie for dessert, preferably delivered via room service at a swanky hotel, if\nyou find yourself craving something sweet!

",33.7409361,-84.41723,[295,296],"“Never\neatin’ chicken thighs / Only a 20 piece Mojo’s” – “Wailin,” ATLiens (1996)\nLunch\nbreak! In their song “Wailin,” from the 1996 album ATLiens, OutKast\nmentions the 20 piece Mojo’s meal, a staple from their days spent in the recording\nstudio. According to Big Boi, “For three f****** years all [they] ate was Mojo’s\nchicken wings – everyday… That’s all [they] could afford at the time” (Joseph).\nTo truly immerse yourself in the tour, pop into Mojo’s to get a taste of the\nfried chicken that sustained OutKast for years. Big Boi also recommends apple\npie for dessert, preferably delivered via room service at a swanky hotel, if\nyou find yourself craving something sweet!",[124,279],{"_74":292,"_141":293,"_143":294},[],"Wailin'","Provided to YouTube by Arista/LaFace Records\n\nWailin' · OutKast\n\nATLiens\n\n℗ 1996 Arista Records, LLC\n\nReleased on: 1996-08-27\n\nComposer, Lyricist: Organized Noize\nDrum Programmer, Mixing Engineer, Producer: Organized Noize Productions\nEngineer: Blake Eiseman\nPiano: Skinny Miracles\nComposer, Lyricist: André Benjamin\nEngineer: Jarvis Blacksheare\nBass Guitar: Preston Crump\nVocal: Cee-Lo Green\nEngineer: John Frye\nComposer, Lyricist: Antwan Patton\nEngineer: John \"Bernasky\" Wall\nAssistant Engineer: Mike Wilson\nAssistant Engineer: Derrick Williams\nAssistant Engineer: Allen Parker\nAssistant Engineer: Brian Frye\nMixing Engineer: Dexter Simmons\nAssistant Engineer: Steve Sisco\n\nAuto-generated by YouTube.","https://api.opentour.site/atlanta-music-maps/v4/public/media/ny4jg5rh8n4fl0jd634ylk3nmc6k?variant=desktop",{"_98":311,"_95":23,"_141":293,"_151":181,"_153":312,"_154":313,"_155":314,"_157":315,"_36":316,"_160":187,"_161":162,"_163":314,"_164":188,"_166":189,"_74":292,"_169":313},{"_98":297,"_95":149,"_141":298,"_151":299,"_153":-5,"_154":-5,"_155":300,"_157":301,"_36":302,"_160":-5,"_161":303,"_163":300,"_164":165,"_166":304,"_74":305,"_169":-5},301,"The image shows the quintessential OutKast lunch, fried chicken! Sourced from: https://thestayathomechef.com/wp-content/uploads/2016/06/Fried-Chicken-4-1.jpg",1000,"16073963863.jpeg",{"_170":306,"_172":307,"_174":308,"_176":309,"_178":310},319,200,500,"Fried Chicken","https://api.opentour.site/atlanta-music-maps/v4/public/media/i55js62ruhdqg6mc8yycyufwcsfu","https://api.opentour.site/atlanta-music-maps/v4/public/media/i55js62ruhdqg6mc8yycyufwcsfu?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/i55js62ruhdqg6mc8yycyufwcsfu?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/i55js62ruhdqg6mc8yycyufwcsfu?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/i55js62ruhdqg6mc8yycyufwcsfu?variant=lqip",294,"//www.youtube.com/embed/b445sIG50Tk","b445sIG50Tk","b445sIG50Tk.jpg",{"_170":317,"_172":318,"_174":319,"_176":294,"_178":320},312,"https://api.opentour.site/atlanta-music-maps/v4/public/media/ny4jg5rh8n4fl0jd634ylk3nmc6k","https://api.opentour.site/atlanta-music-maps/v4/public/media/ny4jg5rh8n4fl0jd634ylk3nmc6k?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/ny4jg5rh8n4fl0jd634ylk3nmc6k?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/ny4jg5rh8n4fl0jd634ylk3nmc6k?variant=lqip",106,"the-south-got-something-to-say","\"The South Got Something to Say\"",{"_36":278,"_65":279,"_74":280},4,{"_36":363,"_65":364,"_74":365},"2660 Godby Rd, Atlanta, GA 30349","

“Ridin’\nround Old National on 18’s without no gat, man /\nI’m strapped, man, and\nready to bust on any ***** like that, man” – “Aquemini,” Aquemini (1998)\n \n

After winning the award for Best\nNew Artist, Duo in 1995, André 3000 uttered\na statement that shook the hip-hop industry - “the South got something to say,”\nand with their masterful third album Aquemini, OutKast proved just that.\nAquemini is a pivotal album for OutKast and “rests at the pinnacle of\ncreativity, execution and emotion” (Dennis Jr.). The distinctive name “Aquemini”\nis an amalgam of the Big Boi’s Aquarius and Dre’s Gemini sign (Dennis Jr.), representing\ntheir complementary visions, and in the title track, Dre and Big Boi affirm\ntheir commitment to each other, saying “But until they close the curtain (y’all\nknow) / It’s Him and I: Aquemini.” This is indeed a powerful lyric that cements\nOutKast’s genius; the duo is iconic because Dre and Big Boi come together\nharmoniously to make music that is provoking, to say the least. The album is inundated\nwith meaningful songs, commenting on the deleterious effects of mass\nincarceration on the Black community and showing appreciation for Black folk\nwhile urging them to do better like on “SpottieOttieDopaliscious.” For the sake\nof a coherent route, this stop takes you to the Old National Discount Mall in\nCollege Park, mentioned in the track “Aquemini,” but you are encouraged to\nlisten to Aquemini in full should time permit.

",33.6152635,-84.4754155,[341,342],"“Ridin’\nround Old National on 18’s without no gat, man /\nI’m strapped, man, and\nready to bust on any ***** like that, man” – “Aquemini,” Aquemini (1998)\n \nAfter winning the award for Best\nNew Artist, Duo in 1995, André 3000 uttered\na statement that shook the hip-hop industry - “the South got something to say,”\nand with their masterful third album Aquemini, OutKast proved just that.\nAquemini is a pivotal album for OutKast and “rests at the pinnacle of\ncreativity, execution and emotion” (Dennis Jr.). The distinctive name “Aquemini”\nis an amalgam of the Big Boi’s Aquarius and Dre’s Gemini sign (Dennis Jr.), representing\ntheir complementary visions, and in the title track, Dre and Big Boi affirm\ntheir commitment to each other, saying “But until they close the curtain (y’all\nknow) / It’s Him and I: Aquemini.” This is indeed a powerful lyric that cements\nOutKast’s genius; the duo is iconic because Dre and Big Boi come together\nharmoniously to make music that is provoking, to say the least. The album is inundated\nwith meaningful songs, commenting on the deleterious effects of mass\nincarceration on the Black community and showing appreciation for Black folk\nwhile urging them to do better like on “SpottieOttieDopaliscious.” For the sake\nof a coherent route, this stop takes you to the Old National Discount Mall in\nCollege Park, mentioned in the track “Aquemini,” but you are encouraged to\nlisten to Aquemini in full should time permit.",[124,339,340,322],{"_74":336,"_141":337,"_143":338},[],"Aquemini","Provided to YouTube by Arista/LaFace Records\n\nAquemini · OutKast\n\nAquemini\n\n℗ 1998 Arista Records LLC\n\nReleased on: 1998-09-29\n\nComposer, Lyricist: André Benjamin\nVocal: Big Boi\nComposer, Lyricist: Antwan Patton\nVocal: Dre\nVocal: Ahjahne Green\nVocal: Sonja Mickey\nBass, Guitar: Preston Crump\nGuitar: Craig Love\nHorn: Darian Emory\nHorn: Jerry Freeman Jr.\nDrums: Victor Alexander\nPercussion: Omar Phillips\nScratches: Mr. DJ\nRecording Engineer: John Frye\nRecording Engineer: Blake Eiseman\nRecording Engineer: Ralph Cacciurri\nRecording Engineer: Kenny Stallworth\nMixing Engineer: NealHPogue\nArranger: Earthtone III\nMixing Engineer: Rico Lumpkin\nMastering Engineer: Brian \"Big Bass\" Gardner\nExecutive Producer: Organized Noize\nExecutive Producer: Antonio \"LA\" Reid\nExecutive Producer: Kenneth \"Babyface\" Edmonds\n\nAuto-generated by YouTube.","https://api.opentour.site/atlanta-music-maps/v4/public/media/foidscokabb3znh9f81kmrr3uhpp?variant=desktop","aquemini","aquemini-proving-the-south-got-something-to-say",{"_98":353,"_95":23,"_141":337,"_151":181,"_153":354,"_154":355,"_155":356,"_157":357,"_36":358,"_160":187,"_161":162,"_163":356,"_164":188,"_166":189,"_74":336,"_169":355},{"_98":186,"_95":149,"_141":343,"_151":152,"_153":-5,"_154":-5,"_155":344,"_157":345,"_36":346,"_160":-5,"_161":162,"_163":344,"_164":165,"_166":167,"_74":347,"_169":-5},"The image above shows the two halves of the homogenous Aquemini - Big Boi and Dre. Sourced from: https://images-na.ssl-images-amazon.com/images/I/D1FrJJECknS._CR0,0,3840,2880_._SL1000_.png","16073966822.jpeg",{"_170":348,"_172":349,"_174":350,"_176":351,"_178":352},322,"Big Boi and Dre","https://api.opentour.site/atlanta-music-maps/v4/public/media/95dvwnvkf1b9yn3ubxszcd018l9z","https://api.opentour.site/atlanta-music-maps/v4/public/media/95dvwnvkf1b9yn3ubxszcd018l9z?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/95dvwnvkf1b9yn3ubxszcd018l9z?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/95dvwnvkf1b9yn3ubxszcd018l9z?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/95dvwnvkf1b9yn3ubxszcd018l9z?variant=lqip",302,"//www.youtube.com/embed/M4fwLA1_ARM","M4fwLA1_ARM","M4fwLA1_ARM.jpg",{"_170":359,"_172":360,"_174":361,"_176":338,"_178":362},320,"https://api.opentour.site/atlanta-music-maps/v4/public/media/foidscokabb3znh9f81kmrr3uhpp","https://api.opentour.site/atlanta-music-maps/v4/public/media/foidscokabb3znh9f81kmrr3uhpp?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/foidscokabb3znh9f81kmrr3uhpp?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/foidscokabb3znh9f81kmrr3uhpp?variant=lqip",100,"player-s-ball-the-come-up","\"Player's Ball,\" the Come-Up",{"_36":321,"_65":322,"_74":323},{"_36":402,"_65":403,"_74":404},"3667 Main St, Atlanta, GA 30337","

“Here's a little something for the playas out there hustling / Getting\ndown for theirs / from East\nPoint, College Park, Decatur, Da ‘Briar?” – “Player’s Ball,” Southernplayalisticadillacmuzik (1994)

OutKast released\ntheir debut single “Player’s Ball” on cassette in 1993 and quickly scaled the\nBillboard Rap Singles Charts, claiming the No. 1 spot for some six weeks in a\nrow. Having been the first hip-hop act signed to Antonio “L.A.” Reid’s label\nLaFace, the two were determined to shake the industry, and Benjamin saw the monotony\nof current rap as “‘pretty much the same video over and over. A bunch of women\nin swimsuits and the guys rapping about money or jewels. [He] and Big Boi\nwanted to change that’” (“OutKast Bio”). The pair was immediately successful in\nachieving that goal, having released one of the most eccentric Christmas songs\nto date. Most people do not even realize “Player’s Ball” was intended to be a\nholiday song on A LaFace Family Christmas (Ahmed) because, in true\nOutKast fashion, André 3000 and Big Boi curated a player’s\nball for all the Christmas pimps and hustlers. Mentioning a handful of local neighborhoods\nlike College Park and Decatur, OutKast boasts their Atlanta descent and continues to weave this critical part of their identity into their subsequent albums.

","Note: This stop is not tied to a specific location in College Park, GA. It is recommended that you take a brief pit stop to listen to \"Player's Ball\" while exploring the College Park neighborhood on foot!",33.6549976,-84.4497973,[381,382],"“Here's a little something for the playas out there hustling / Getting\ndown for theirs / from East\nPoint, College Park, Decatur, Da ‘Briar?” – “Player’s Ball,” Southernplayalisticadillacmuzik (1994)OutKast released\ntheir debut single “Player’s Ball” on cassette in 1993 and quickly scaled the\nBillboard Rap Singles Charts, claiming the No. 1 spot for some six weeks in a\nrow. Having been the first hip-hop act signed to Antonio “L. A.” Reid’s label\nLaFace, the two were determined to shake the industry, and Benjamin saw the monotony\nof current rap as “‘pretty much the same video over and over. A bunch of women\nin swimsuits and the guys rapping about money or jewels. [He] and Big Boi\nwanted to change that’” (“OutKast Bio”). The pair was immediately successful in\nachieving that goal, having released one of the most eccentric Christmas songs\nto date. Most people do not even realize “Player’s Ball” was intended to be a\nholiday song on A LaFace Family Christmas (Ahmed) because, in true\nOutKast fashion, André 3000 and Big Boi curated a player’s\nball for all the Christmas pimps and hustlers. Mentioning a handful of local neighborhoods\nlike College Park and Decatur, OutKast boasts their Atlanta descent and continues to weave this critical part of their identity into their subsequent albums. ",[124,364],{"_74":378,"_141":379,"_143":380},[],"Artwork for the \"Player's Ball\" Single","The image shows the album artwork for OutKast's single \"Player's Ball.\" Sourced from: https://upload.wikimedia.org/wikipedia/pt/1/1e/Player%27s_BallOutkast.jpg","https://api.opentour.site/atlanta-music-maps/v4/public/media/3z2bge6mkkt6rwk22gjjfrj4nw1f?variant=desktop",{"_98":395,"_95":23,"_141":379,"_151":152,"_153":-5,"_154":-5,"_155":396,"_157":397,"_36":256,"_160":-5,"_161":162,"_163":396,"_164":165,"_166":167,"_74":378,"_169":-5},{"_98":383,"_95":149,"_141":384,"_151":181,"_153":385,"_154":386,"_155":387,"_157":388,"_36":162,"_160":187,"_161":162,"_163":387,"_164":188,"_166":189,"_74":389,"_169":386},282,"\"Player's Ball\" by OutKast\nListen to OutKast: https://Outkast.lnk.to/listenYD\n\nSubscribe to the official Outkast YouTube channel: https://Outkast.lnk.to/subscribeYD\n\nWatch more videos by OutKast: https://OutKast.lnk.to/listenID/youtube\n\nFollow Outkast:\nFacebook: https://Outkast.lnk.to/followFI\nInstagram: https://Outkast.lnk.to/followII\nTwitter: https://Outkast.lnk.to/followTI\nWebsite: https://Outkast.lnk.to/followWI\nSpotify: https://Outkast.lnk.to/followSI\nYouTube: https://Outkast.lnk.to/subscribeYD\n\nLyrics:\nAll the players came from far and wide\nWearing afros and braids, kicking them gangsta rides\nNow I'm here to tell you there's a better day\nWhen the player's ball is happening, all day ery'day\n\n#OutKast #PlayersBall #OfficialHDVideo #HD #Remastered","//www.youtube.com/embed/vFofKGKlWo4","vFofKGKlWo4","vFofKGKlWo4.jpg",{"_170":390,"_172":391,"_174":392,"_176":393,"_178":394},"OutKast - Player's Ball (Official HD Video)","https://api.opentour.site/atlanta-music-maps/v4/public/media/rejfb1e89w15gqkh3ptw7v9whx0x","https://api.opentour.site/atlanta-music-maps/v4/public/media/rejfb1e89w15gqkh3ptw7v9whx0x?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/rejfb1e89w15gqkh3ptw7v9whx0x?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/rejfb1e89w15gqkh3ptw7v9whx0x?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/rejfb1e89w15gqkh3ptw7v9whx0x?variant=lqip",278,"16073936975.jpeg",{"_170":398,"_172":399,"_174":400,"_176":380,"_178":401},"https://api.opentour.site/atlanta-music-maps/v4/public/media/3z2bge6mkkt6rwk22gjjfrj4nw1f","https://api.opentour.site/atlanta-music-maps/v4/public/media/3z2bge6mkkt6rwk22gjjfrj4nw1f?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/3z2bge6mkkt6rwk22gjjfrj4nw1f?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/3z2bge6mkkt6rwk22gjjfrj4nw1f?variant=lqip",105,"headland-and-delowe","Headland and Delowe",{"_36":363,"_65":364,"_74":365},{"_36":129,"_65":443,"_74":444},"2020-2084 Headland Dr, East Point, GA 30344","

“One for the money, yes, sir, two for the show /\nA couple of years ago, on Headland and Delowe /\nWas the start of something good /\nWhere me and my ***** rode the MARTA through the hood” – “Elevators (Me and You),”\nATLiens (1996)

\nHeadland\nand Dowe, referenced in the hit “Elevators (Me and You)” from OutKast’s sophomore\nalbum ATLiens (1996), commemorates the rise of the lionized kings of\nAtlanta (Northam). The intersection located in East Point, GA was home to the Lamonte’s\nBeauty Supply at the Delowe Shopping Center. This perhaps ordinary beauty store\nis where Rico Wade, Lamonte’s manager, discovered Benjamin and Patton – who at\nthe time went by “2 Shades Deep.” Wade was a part of legendary production team\nOrganized Noize and leader of the Dungeon Family, an Atlanta-based coalition of\nrap-soul artists like Goodie Mob, Parental Advisory, and Big Rube, among other\nGeorgians (Parham). OutKast eventually joined the family, so despite the mundaneness\nof this seemingly arbitrary shopping mall, the intersection of Headland and\nDelowe represents a critical turning point for Dre and Big Boi, as evidenced in\nthe way they describe it as “the start of something good.” The song details the\nduo’s come-up and reflects on their newfound success in the wake of their first\nalbum, Southernplayalisticadillacmuzik, as they “Went from “Player’s Ball\" to\nballers.” On the next stop, you will have the opportunity to dive deep into\ntheir debut single “Player’s Ball” and understand the unique meaning behind\nthis lyric.

",33.6877909,-84.4555796,[419,420],"“One for the money, yes, sir, two for the show /\nA couple of years ago, on Headland and Delowe /\nWas the start of something good /\nWhere me and my ***** rode the MARTA through the hood” – “Elevators (Me and You),”\nATLiens (1996)\nHeadland\nand Dowe, referenced in the hit “Elevators (Me and You)” from OutKast’s sophomore\nalbum ATLiens (1996), commemorates the rise of the lionized kings of\nAtlanta (Northam). The intersection located in East Point, GA was home to the Lamonte’s\nBeauty Supply at the Delowe Shopping Center. This perhaps ordinary beauty store\nis where Rico Wade, Lamonte’s manager, discovered Benjamin and Patton – who at\nthe time went by “2 Shades Deep.” Wade was a part of legendary production team\nOrganized Noize and leader of the Dungeon Family, an Atlanta-based coalition of\nrap-soul artists like Goodie Mob, Parental Advisory, and Big Rube, among other\nGeorgians (Parham). OutKast eventually joined the family, so despite the mundaneness\nof this seemingly arbitrary shopping mall, the intersection of Headland and\nDelowe represents a critical turning point for Dre and Big Boi, as evidenced in\nthe way they describe it as “the start of something good.” The song details the\nduo’s come-up and reflects on their newfound success in the wake of their first\nalbum, Southernplayalisticadillacmuzik, as they “Went from “Player’s Ball\" to\nballers.” On the next stop, you will have the opportunity to dive deep into\ntheir debut single “Player’s Ball” and understand the unique meaning behind\nthis lyric.",[124,403],{"_74":416,"_141":417,"_143":418},[],"OutKast - Elevators (Me & You) (Official Video)","OutKast's official music video for 'Elevators (Me & You)'. Click to listen to OutKast on Spotify: http://smarturl.it/OutKastSpotify?IQid=OutKEMY\n\nAs featured on ATliens. Click to buy the track or album via iTunes: http://smarturl.it/ATliens?IQid=OutKEMY\nGoogle Play: http://smarturl.it/EMAYGPlay?IQid=OutKEMY\nAmazon: http://smarturl.it/ATliensAmazon?IQid=OutKEMY\n\nMore from OutKast\nHey Ya: https://youtu.be/PWgvGjAhvIw\nB.O.B: https://youtu.be/fVyVIsvQoaE\nRoses: https://youtu.be/gWju37TZfo0\n\nMore great Classic RnB videos here:http://smarturl.it/ClassicRNB?IQid=OutKEMY\n\nFollow OutKast\nWebsite: http://www.outkast.com/\nFacebook: https://www.facebook.com/outkast\nTwitter: https://twitter.com/Outkast\nInstagram: https://instagram.com/outkast\n\nSubscribe to OutKast on YouTube: http://smarturl.it/OutKastSub?IQid=OutKEMY\n\n---------\n\nLyrics:\n\nOne for the money yes uhh two for the show\nA couple of years ago on Headland and Delowe\nWas the start of somethin good\nWhere me and my nigga rodes the MARTA, through the hood\nJust tryin ta find that hookup\nNow everyday we look up at the ceiling\nWatchin ceiling fans go around tryin ta catch that feelin\noff instrumental, had my pencil, and plus my paper\nWe caught the 86 Lithonia headed to Decatur\nWriting rhymes tryin ta find our spot off in that light\nLight off in that spot, known that we could rock\nDoin the hole in the wall clubs, this shit here must stop\nLike freeze, we makin the crowd move but we not makin no G's\nAnd that's a nono\n\nMe and you, your momma and your cousin too\nRollin down the strip on vogues\nComin up slammin Cadillac doz (doors)","https://api.opentour.site/atlanta-music-maps/v4/public/media/2jfa0gyukdeo2syfs908quoiwv75?variant=desktop",{"_98":434,"_95":23,"_141":417,"_151":181,"_153":435,"_154":436,"_155":437,"_157":438,"_36":297,"_160":187,"_161":162,"_163":437,"_164":188,"_166":189,"_74":416,"_169":436},{"_98":220,"_95":149,"_141":421,"_151":422,"_153":-5,"_154":-5,"_155":423,"_157":424,"_36":425,"_160":-5,"_161":426,"_163":423,"_164":165,"_166":427,"_74":428,"_169":-5},"The image shows Rico Wade, Lamonte's manager and one-third of the the Organized Noize production team. Sourced from: http://cdn.straightfromthea.com/wp-content/uploads/2012/04/Future-Album-Release-041712-39.jpg",1252,"16073969365.jpeg",{"_170":429,"_172":430,"_174":431,"_176":432,"_178":433},325,250,626,"Rico Wade","https://api.opentour.site/atlanta-music-maps/v4/public/media/ly6xcqchjoad57z7bp8bsjwssjbv","https://api.opentour.site/atlanta-music-maps/v4/public/media/ly6xcqchjoad57z7bp8bsjwssjbv?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/ly6xcqchjoad57z7bp8bsjwssjbv?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/ly6xcqchjoad57z7bp8bsjwssjbv?variant=desktop","https://api.opentour.site/atlanta-music-maps/v4/public/media/ly6xcqchjoad57z7bp8bsjwssjbv?variant=lqip",283,"//www.youtube.com/embed/uqB_UVlhlPA","uqB_UVlhlPA","uqB_UVlhlPA.jpg",{"_170":439,"_172":440,"_174":441,"_176":418,"_178":442},"https://api.opentour.site/atlanta-music-maps/v4/public/media/2jfa0gyukdeo2syfs908quoiwv75","https://api.opentour.site/atlanta-music-maps/v4/public/media/2jfa0gyukdeo2syfs908quoiwv75?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/2jfa0gyukdeo2syfs908quoiwv75?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/2jfa0gyukdeo2syfs908quoiwv75?variant=lqip","tri-cities-high-school-a-k-a-the-beginning-of-outkast","Tri-Cities High School a.k.a. The Beginning of OutKast",{"_36":402,"_65":403,"_74":404},"2575 Harris St, East Point, GA 30344","André 3000 was born\nAndré Benjamin\non May 27th, 1976 in Atlanta, GA, and Antwon “Big Boi” Patton was born on February\n1st, 1975 in Savannah, GA. Their worlds collided when both attended the\nTri-Cities High School, a program specializing in visual performing arts, in East\nPoint, GA (“OutKast Biography”). Benjamin and Patton bonded over their love for\nhip-hop icons like A Tribe Called Quest, the Brand Nubians, and De La Soul, in\naddition to their appreciation for the sounds of George Clinton and Sly of the\n70s funk movement. Likewise, having been impressed by each other’s lyrical\nskills, the two formed a duo, originally calling themselves “2 Shades Deep,”\nbut after realizing this name had already been taken, considered renaming\nthemselves the “Misfits” (“OutKast Biography”). Ultimately, they found inspiration in the word\noutcast and kept the phonetic spelling, landing on “OutKast,” a now nationally\nrecognized name. While\nBenjamin later dropped out of Tri-Cities HS, Big Boi and André 3000 were\nambitious in their musical pursuits and found their way into the business after\nmeeting Organized Noize, the production team behind TLC’s hit “Chasing\nWaterfalls” (Bush).",33.6846651,-84.4363852,[458],[124,457,443],{"_74":454,"_141":455,"_143":456},[],"Tri-Cities HS","The image shows Tri-Cities High School in East Point, GA, where Benjamin André and Antwon Patton met. Sourced from: http://2.bp.blogspot.com/-rt3vlDy_0Jg/UABNYZnGDcI/AAAAAAAAA9c/jeZYmBjcbrM/s1600/IMG_0202.jpg","https://api.opentour.site/atlanta-music-maps/v4/public/media/j5idjp305nfdkkhkeqpsjt9ap16t?variant=desktop","tri-cities-high-school-the-beginning-of-outkast",{"_98":159,"_95":23,"_141":455,"_151":459,"_153":-5,"_154":-5,"_155":460,"_157":461,"_36":462,"_160":-5,"_161":463,"_163":460,"_164":165,"_166":464,"_74":454,"_169":-5},1125,"16073971252.jpeg",{"_170":465,"_172":466,"_174":467,"_176":456,"_178":468},327,225,563,"https://api.opentour.site/atlanta-music-maps/v4/public/media/j5idjp305nfdkkhkeqpsjt9ap16t","https://api.opentour.site/atlanta-music-maps/v4/public/media/j5idjp305nfdkkhkeqpsjt9ap16t?variant=mobile","https://api.opentour.site/atlanta-music-maps/v4/public/media/j5idjp305nfdkkhkeqpsjt9ap16t?variant=tablet","https://api.opentour.site/atlanta-music-maps/v4/public/media/j5idjp305nfdkkhkeqpsjt9ap16t?variant=lqip",{"_98":232,"_36":23,"_74":479},{"_98":477,"_36":149,"_74":478},{"_98":475,"_36":216,"_74":476},{"_98":473,"_36":325,"_74":474},24,"WALKING",23,"TRANSIT",22,"DRIVING","BICYCLING",{"_95":23,"_98":481,"_36":481,"_74":482,"_65":483,"_484":485,"_113":25,"_486":23},13,"Works Cited ","works-cited","body","

Ahmed, Insanul.\n “Knowledge Drop: OutKast’s “Player’s Ball” Is Actually a Christmas Song.” Genius,\n 26 Apr. 2020, https://genius.com/a/outkast-s-player-s-ball-is-actually-a-christmas-song.

\n\n

Bush,\n John. “OutKast.” AllMusic, n.d., https://www.allmusic.com/artist/outkast-mn0000420381/biography.

\n\n

Clanton,\n Nancy. “Big Boi Buys the ‘Dungeon’ Where OutKast Got Its Start in Atlanta.” The\n Atlanta Journal-Constitution, 17 Jan. 2019, https://www.ajc.com/entertainment/big-boi-buys-the-dungeon-where-outkast-got-its-start-atlanta/hMARdHf8HfidF7FDXQovwK/#:~:text=The%20Dungeon%20was%20the%20recording%20space%20for%20Organized,stairs%2C%20lots%20of%20weed%2C%20speakers%20and%20beat%20machines.

\n\n

Dennis Jr.,\n David. “OutKast’s ‘Aquemini,’ the Blueprint of the Southern Black Renaissance,\n Turns 20.” The Undefeated, 27 Sep. 2018, https://theundefeated.com/features/outkast-aquemini-anniversary-twenty-years-south-something-say/.\n

\n\n

Erlewine,\n Thomas. “OutKast Speakerboxxx / The Love Below.” AllMusic, n.d., https://www.allmusic.com/album/speakerboxxx-the-love-below-mw0000226528.\n

\n\n

Estep,\n Tyler. “Atlanta Has a (Huge) New Tribute to OutKast, Homegrown Hip-Hop Kings.” The\n Atlanta Journal-Constitution, 21 Oct. 2019, https://www.ajc.com/news/local/atlanta-has-huge-new-tribute-outkast-homegrown-hip-hop-kings/v3mqwdYOGFXM90TY3oSxiO/.

\n\n

Godfrey, Gavin.\n “Straight Outta Stankonia – The Original Dungeon.” Creative Loafing, 10\n Apr. 2014, https://creativeloafing.com/content-232555-straight-outta-stankonia---the-original\n

\n\n

Joseph,\n Ryan. “Big Boi Explains How to Eat Around Atlanta, Based on OutKast Lyrics.” First\n We Feast, 15 Apr. 2016, https://firstwefeast.com/eat/2016/04/big-boi-atlanta-outkast-lyrics.

\n\n

Martin,\n Jill. “Georgia Dome Imploded After 25 Years of Use.” CNN, 21 Nov. 2017, https://edition.cnn.com/2017/11/20/sport/georgia-dome-imploded/index.html.

\n\n

Northam,\n Mitchell. “12 Hip-Hop Landmarks to Visit in Metro Atlanta.” The Atlanta\n Journal-Constitution, 8 Jan. 2019, https://www.ajc.com/news/local/hip-hop-landmarks-visit-metro-atlanta/KtDkWUu8t6Jys0ETQ1lKwM/.

\n\n

“OuKast\n Biography.” Encyclopedia of World Biography, n.d., https://www.notablebiographies.com/news/Li-Ou/OutKast.html#:~:text=OutKast%20met%20as%20high%20school%20students%20in%20Atlanta.,a%20mother%20who%20worked%20as%20a%20retail%20supervisor.

\n\n

“OutKast\n Call of da Wild Lyrics.” Genius, n.d., https://genius.com/Outkast-call-of-da-wild-lyrics.

\n\n

Parham,\n Jason. “OutKast, Contextually.” Gawker, 1 Oct. 2014, https://gawker.com/outkast-contextually-1640538602.\n

\n\n

“Speakerboxxx\n / The Love Below.” Wikipedia, 4 Mar. 2004, https://en.wikipedia.org/w/index.php?title=Speakerboxxx/The_Love_Below&dir=prev&action=history.\n

\n\n

Torpy,\n Bill. “Chappell Forest: A Complex Abandoned While Lives Restart.” The\n Atlanta Journal-Constitution, 15 Jun. 2013, https://www.ajc.com/news/chappell-forest-complex-abandoned-while-lives-restart/5nPLPc8oEryl6w9JyoJhlJ/.

\n\n

“Where Is the\n Dungeon? Atlanta OutKast.” Reddit, 14 Sep. 2019, https://www.reddit.com/r/Atlanta/comments/d46hyw/where_is_the_dungeon_atlanta_outkast/.\n

\n\n

Williams,\n Stereo. “Why Rappers Rock the Confederate Flag: From OutKast to Kanye West’s\n Merchandise.” The Daily Beast, 30 Jun. 2015, https://www.thedailybeast.com/why-rappers-rock-the-confederate-flag-from-outkast-to-kanye-wests-merchandise

\n\n

Wolfe,\n Elizabeth & Ahmed, Saeed. “Atlanta Pays Tribute to the Legendary Rap Duo\n OutKast with a Huge Mural.” CNN, 23 Oct. 2019, https://www.cnn.com/2019/10/23/entertainment/outkast-mural-atlanta-trnd/index.html.

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